The thing is, this book has a very white and beautifully textured cover. What would I tell Dan if my coffee or paint prints landed on the cover? There would be no hiding it. I finally ordered a copy for myself. I'm a book user, though I try to take care of them— I'm not going to go nuts if it gets a little used. But what could be more ridiculous than me in my studio slurping my coffee over a white book.
This book feels good, it's a nice and not standard size. It's got presence. The imagery is vibrant. The photos of Hicks' weaving are perfect. The paper and typography are lovely. I was new to Sheila Hicks' work and her sense of color and balance are wonderful. Not only that, but in my "outside the studio" world, I design science textbooks. And I do love books.
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| the title page typography |
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| some examples of the work as I thumb through |
Here's a photo from a design site stepinsidedesign.com showing the book and interior together.
It turns out that this book WAS actually voted The Most Beautiful Book In the World at the Leipzig Book Fair in 2006. Here is a video interview with the designer Irma Boom.
Stay tuned for Part 2: my take on the Hicks Retrospective Show at Addison Gallery Museum of Art.
[for anyone interested in purchasing the book, here's the info]
editor: Nina Stritzler-Levine
text: Arthur C. Danto, Joan Simon
text: Arthur C. Danto, Joan Simon
designer: Irma Boom
publisher: Yale University Press
publication date: August 2006
isbn: 9780300116854
This book has been published as the catalogue
of the exibition'Sheila Hicks: Weaving as Metaphor'
at The Bard Graduate Center for Studies in
the Decorative Arts, Design, and Culture, 2006.







2 comments:
happy, happy new year and on to more excitement.
warm regards, sheila hicks
I lust after that book, Lynette, and plan on going to see the retrospective. I love the scale and textures in Sheila's weaving. (Hi, Sheila!) What can I say... I'm a fiber nut!
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